Side note: it's a testament to the reigning power of art and of stories that I spent all of Monday in mourning for Sybil, a character on Sunday night's Downton Abbey.
Here's a little gem on the art of reviewing by Charlie Baxter: Owl Criticism. In a time where you can scroll down to see reviews on nearly any book on Amazon, Baxter (in his characteristic dry humor) pokes fun at just what these reviewers are basing their ideas on. Everyone's got an opinion, but that doesn't mean you need to listen to them.
Thursday, January 31, 2013
Tuesday, January 22, 2013
Inaugural poems
I'm celebrating the fact that President Obama chose to have a poet at both of his inaugurations. In the spirit of poems that unite us as a country and cry out for civil rights at the same time, here's Langston Hughes' powerful anthem "Let America Be America Again," originally found at poets.org.
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© 2013, Academy of American Poets. All Rights Reserved. |
Friday, January 18, 2013
How Movies Teach Manhood
When I taught composition, I did a unit on gender, and we looked specifically at the ideals of gender that movies and TV implied. If I were teaching right now, I would use this talk to spark the conversation.
Thursday, January 17, 2013
Nerds Volunteer!
In the spirit of National Volunteer Day coming up, I thought I'd post this fabulous volunteer opportunity. Everyone thinks of Habitat for Humanity or visiting a senior center when they think of doing a day of volunteering (at least I do), but here's one for nerds that meets a real need, as well:
The Nerdery Overnight Website Challenge
Volunteers of web-building pros form teams and show up for 24 hours of pro-bono website revamping for nonprofits who need help making their good work available to the digital world. I'm rooting for Minneapolis' Park Avenue Youth and Family Services to get picked!
The Nerdery Overnight Website Challenge
Volunteers of web-building pros form teams and show up for 24 hours of pro-bono website revamping for nonprofits who need help making their good work available to the digital world. I'm rooting for Minneapolis' Park Avenue Youth and Family Services to get picked!
Monday, January 14, 2013
resolving to give up resolutions
Still thinking about this wonderful talk on Giving up New Year's Resolutions by Prof. Jamie Smith, given at Mars Hill Church on the last Sunday of 2012. He comments that North American Christians consider resolutions to be an act of individual heroism. (by my resolve alone, I will be better...) We place a high value on knowing lots of stuff (ie. the way to be a better Christian is to learn more) and tend to neglect the powerful importance of habit. Being kind, generous, patient, and loving, he says, is not a matter of learning more about it or trying hard, but of making this actions a habit.
A thoughtful sermon. Enjoy!
A thoughtful sermon. Enjoy!
Saturday, January 12, 2013
Friday, January 11, 2013
A life of no regrets? I don't think so
Next week, I am giving a quick talk / poetry reading on "Sparking the Imagination." It's interesting that I keep seeing the vital role of imagination in things I never would have connected it to. Exploration (see last week's post), and now, in this TED talk by Kathryn Schulz: regret.
We would not have regret if we could not imagine a different outcome. In this short talk, peppered with humor, Schulz argues that regret has some good things to teach us (so give yourself a break).
We would not have regret if we could not imagine a different outcome. In this short talk, peppered with humor, Schulz argues that regret has some good things to teach us (so give yourself a break).
Monday, January 7, 2013
Downton Abbey
I love Downton Abbey. Love it. Though I have to say I felt a bit of disappointment during last night's US opening of season three. First, the "upstairs" characters seem to have become, in this script, caricatures of themselves. Lady Mary has gone back to being stiff and tied to tradition, assumedly so that her character has somewhere to grow again. Everyone seemed to be insisting in their lines that "this is what I stand for"--no one more heavy-handedly than the American mother-in-law. I'd be curious to know how her character played in Britain. Perhaps because I am American, her comments about being less tied to tradition sounded normal to me and made the other characters look stodgy. It was as though reality was creeping in...which of course it is in 1920.
Which brings me to point number two. The stakes are higher than ever, with Downton Abbey itself on the line, but they don't feel high. I assume--again, American viewpoint--that at some point they will have to sell Downton. Too ridiculously huge to upkeep. Perhaps if there was more focus on the jobs that would be lost (which they may well do later on), then I would feel it. The loss of Cora's fortune and the two other fortunes that various characters hope might save them seem so off-the-stage to me. That said, what else but an inheritance would be a proper source of income for the aristocracy? And the earning of said money no doubt feels far away for most of them, too. As it is, Matthew's surprise inheritance feels engineered just to cause strife.
I do really like how housekeeper Mrs. Hughes' fate seems tied to the house. She may have cancer, but it will be months until she knows for certain. They may lose the house, but not yet...
With so many story lines wrapping up and others pulling less emotional weight than last year, I think part of me was really worried there would be two episodes and done. But no, there are another 6 to go on the books, so I can rest assured that more is to come. And I will, despite my complaints, be hanging on every word.
It is so much fun to see how the nation has been swept up in this series. Apparently, the first lady got her copy of season three early.
Which brings me to point number two. The stakes are higher than ever, with Downton Abbey itself on the line, but they don't feel high. I assume--again, American viewpoint--that at some point they will have to sell Downton. Too ridiculously huge to upkeep. Perhaps if there was more focus on the jobs that would be lost (which they may well do later on), then I would feel it. The loss of Cora's fortune and the two other fortunes that various characters hope might save them seem so off-the-stage to me. That said, what else but an inheritance would be a proper source of income for the aristocracy? And the earning of said money no doubt feels far away for most of them, too. As it is, Matthew's surprise inheritance feels engineered just to cause strife.
I do really like how housekeeper Mrs. Hughes' fate seems tied to the house. She may have cancer, but it will be months until she knows for certain. They may lose the house, but not yet...
With so many story lines wrapping up and others pulling less emotional weight than last year, I think part of me was really worried there would be two episodes and done. But no, there are another 6 to go on the books, so I can rest assured that more is to come. And I will, despite my complaints, be hanging on every word.
It is so much fun to see how the nation has been swept up in this series. Apparently, the first lady got her copy of season three early.
Friday, January 4, 2013
Is the desire to explore genetic?
In this month's feature article, the National Geographic suggests that a cluster of genes may be responsible for our desire to explore. Apparently, there is a common variant of a gene (DRD4-7R, if you want to know) that often pops up in studies of those who are exploring and pushing boundaries. It's possible that that gene, coupled with the right physical ability, tools, resources, and--here's what I love as a writer--imagination leads us not only to wonder what's around the river bend, but to go there. I love this important linkage with science, imagination, and wonder.
Read the article "Restless Genes" here.
Wednesday, January 2, 2013
It's alive! Alive!
In the course of watching The Hobbit this past week and re-watching The Hunger Games, I heard myself using the phrase "bringing the book to life." It's a common phrase, but the idea behind that is troublesome. What, were they dead before? Dormant? Movies add visuals and audio to books, overlaying the vision of a round of screenwriters, directors, producers, and actors. The books become multimedia; they breathe in a different way. But if they did not have a life of their own in the first place, no one would have chosen if for a movie.
I will talk of books adapted into films, but I resolve in 2013 not to so diminish the act of writing as to call the film versions "brought to life."
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